Features a 500acre drivethrough wildlife preserve with over 1,000 different animals, an amusement park with rides, games, petting zoo, nature walks and animal exhibits. Music of Africa Wikipedia. The traditional music of Africa, given the vastness of the continent, is historically ancient, rich and diverse, with different regions and nations of Africa having many distinct musical traditions. Music in Africa is very important when it comes to religion. Songs and music are used in rituals and religious ceremonies, to pass down stories from generation to generation, as well as to sing and dance to. Traditional music in most of the continent is passed down orally or aurally and is not written. In Sub Saharan African music traditions, it frequently relies on percussion instruments of every variety, including xylophones, djembes, drums, and tone producing instruments such as the mbira or thumb piano. 12The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music and many Caribbean genres, such as soca, calypso see kaiso and zouk. Latin American music genres such as the rumba, conga, bomba, cumbia, salsa and samba were also founded on the music of enslaved Africans, and have in turn influenced African popular music. 1Like the music of Asia, India and the Middle East, its a highly rhythmic music. In fact, the only music in the world that isnt rhythmically complex is Western music. African music consists of complex rhythmic patterns, often involving one rhythm played against another to create a Polyrhythm. The most common Polyrhythm plays three beats on top of two, like a triplet played against straight notes. African music differs from Western music in that the various parts of the music do not necessarily combine in a harmonious fashion. African musicians unlike Western musicians, do not seek to combine different sounds in a way that is pleasing to the ear. Understanding African music gets even more difficult when you consider that it does not have a written tradition there is little or no written music to study of analyze. Western staff. there are subtle differences in pitch and intonation that do not easily translate to Western notation. That said, African music most closely adheres to Western tetratonic three notes, pentatonic five note, hexatonic six note, and heptatonic seven note scales. Harmonization of the melody is accomplished by singing in parallel thirds, fourths, or fifths. Another distinguishing form of African music is its call and response nature one voice or instrument plays a short melodic phrase, and that phrase is echoed by another voice or instrument. The call and response nature extends to the rhythm, where one drum will play a rhythmic pattern, echoed by another drum playing the same pattern. African music is also highly improvised. This speaks to the lack of a written tradition. A core rhythmic pattern is typically played, with drummers then improvising new patterns over the static original patterns. The traditional music of Africa, given the vastness of the continent, is historically ancient, rich and diverse, with different regions and nations of Africa having. Glitterbeat Vibrant Global Sounds, Gaye Su Akyol, Tamikrest, Baba Zula, Noura Mint Seymali, Aziza Brahim, Orkesta Mendoza, Damir Imamovi, M. A. K. U. Soundsystem. Music by regionseditNorth Africa and the Horn of AfricaeditNorth Africa is the seat of ancient Egypt and Carthage, civilizations with strong ties to the ancient Near East and which influenced the ancient Greek and Roman cultures. Eventually, Egypt fell under Persian rule followed by Greek and Roman rule, while Carthage was later ruled by Romans and Vandals. North Africa was later conquered by the Arabs, who established the region as the Maghreb of the Arab world. Like the musical genres of the Nile Valley and the Horn of Africasky blue and dark green region on map,3 its music has close ties with Middle Eastern music and utilizes similar melodic modes maqamat. 4 North African music has a considerable range, from the music of ancient Egypt to the Berber and the Tuareg music of the desert nomads. The regions art music has for centuries followed the outline of Arabic and Andalusian classical music its popular contemporary genres include the Algerian. Ra. With these may be grouped the music of Sudan and of the Horn of Africa, including the music of Eritrea, Ethiopia, Djibouti and Somalia. Somali music is typically pentatonic, using five pitches per octave in contrast to a heptatonic seven note scale such as the major scale. 3 The music of the Ethiopian highlands uses a fundamental modal system called qenet, of which there are four main modes tezeta, bati, ambassel, and anchihoy. 5 Three additional modes are variations on the above tezeta minor, bati major, and bati minor. 6 Some songs take the name of their qenet, such as tizita, a song of reminiscence. 5West, Central, Southeast and South AfricaeditThe ethnomusicological pioneer Arthur Morris Jones 1. Sub Saharan African music traditions constitute one main system. 7 Similarly, master drummer and scholar C. K. Ladzekpo affirms the profound homogeneity of sub Saharan African rhythmic principles. 8African traditional music is frequently functional in nature. Performances may be long and often involve the participation of the audience. 9 There are, for example, little different kinds of work songs, songs accompanying childbirth, marriage, hunting and political activities, music to ward off evil spirits and to pay respects to good spirits, the dead and the ancestors. None of this is performed outside its intended social context and much of it is associated with a particular dance. Some of it, performed by professional musicians, is sacral music or ceremonial and courtly music performed at royal courts. Musicologically, Sub Saharan Africa may be divided into four regions 7The eastern region light green regions on map includes the music of Uganda, Kenya, Rwanda, Burundi, Tanzania, Malawi, Mozambique and Zimbabwe as well as the islands of Madagascar, the Seychelles, Mauritius and Comor. Many of these have been influenced by Arabic music and also by the music of India, Indonesia and Polynesia, though the regions indigenous musical traditions are primarily in the mainstream of the sub Saharan NigerCongo speaking peoples. The southern region brown region on map includes the music of South Africa, Lesotho, Swaziland, Botswana, Namibia and Angola. The central region dark blue region on map includes the music of Chad, the Central African Republic, the Democratic Republic of the Congo and Zambia, including Pygmy music. West African musicyellow region on map includes the music of Senegal and the Gambia, of Guinea and Guinea Bissau, Sierra Leone and Liberia, of the inland plains of Mali, Niger and Burkina Faso, the coastal nations of Cote dIvoire, Ghana, Togo, Benin, Nigeria, Cameroon, Gabon and the Republic of the Congo as well as islands such as Sao Tome and Principe. Southern, Central and West Africa are similarly in the broad Sub Saharan musical tradition, but draw their ancillary influences primarily from Western Europe and North America. Musical instrumentseditBesides vocalisation, which uses various techniques such as complex hard melisma and yodel, a wide array of musical instruments are used. African musical instruments include a wide range of drums, slit gongs, rattles and double bells, different types of harps, and harp like instruments such as the Kora and the ngoni, as well as fiddles, many kinds of xylophone and lamellophone such as the mbira, and different types of wind instrument like flutes and trumpets. Additionally, string instruments are also used, with the lute like oud and Ngoni serving as musical accompaniment in some areas.
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